A critical analysis (sometimes called a critique, critical summary, or book review) is a systematic analysis of an idea, text, or piece of literature that discusses its validity and evaluates its worth. A critical analysis usually includes a summary–a concise restatement of what a text says–and an evaluation–how well it says it. A critical analysis in literature, for example, might examine the style, tone, or rhetorical appeals of a text, while an analysis of a scientific paper might examine the methodology, accuracy, and relevance of the research.
A good critique will consider the following questions
- Who is the author, and what are his/her qualifications?
- What is the nature of the work (type, purpose, intended audience)?
- What is its significance? How does it compare to other material on the same subject? By the same author?
- What is the author's thesis?
- What is the organizational plan or method? Is it well conceived? Does it achieve the author's objectives?
- What are the underlying assumptions? Are they stated or do they lurk behind a stance of neutrality and objectivity?
- How do assumptions and biases affect the validity of the piece?
- Are arguments/statements supported by evidence? Is the evidence relevant? Sufficient?
- Is the author's methodology sound?
- What evidence or ideas has the author failed to consider?
- Are the author's judgments and conclusions valid?
- What rhetorical strategies does the author use? Are they effective?
A word about the thesis statement
Remember that no matter what format you follow in writing your critical analysis, it should have a thesis statement that establishes your approach to or opinion about the piece. Your thesis statement will not be the same as the original author's thesis statement. For example, say that the original author's thesis statement is “the moon is made of green cheese.” Your own thesis might be “the author's assertion that the moon is made of green cheese is ill-founded and is not supported with adequate evidence.”
Organizing the Critical Analysis
There are many models for writing a critical analysis. Some disciplines recommend breaking an analysis into two sections: The first section provides a summary of the content of the work, while the second section analyzes and evaluates the work. Other disciplines, in contrast, favor a model in which the summary and analysis are smoothly integrated. See the reverse side for two serviceable (if unembellished) formats for a critical analysis. Also, remember that length can vary from a paragraph to several pages.
Sample Critical Analysis — Two-Part Structure
In “Nature Cannot be Fooled,” [title] originally published in 1998 in the St. Louis Post-Dispatch, [date and source] Washington University Professor Jonathan Katz[author name and descriptor] contends [active verb] that American Society denies reality, living instead as if its “wished-for fictions” were “true” [paraphrase (and partial quotation) of author's thesis]. Katz further [transition] argues[active verb] that this distorted view of reality manifests itself in many negative ways—from public health policy to education. [list of key ideas]
(Note that the evaluative terms are bold-faced for the purposes of illustration only.)
Unfortunately, Katz fails to support his argument. His commentary relies onfallacies, unsupported claims, and opinions rather than on logical statements, supported claims, and facts. Therefore, even though Katz expresses much passion, he fails to offer a persuasive argument. [Use your own thesis statement to provide an organizational plan for the paper.]
The body paragraphs should analyze particular components of the work. For instance, in an analysis of the Katz commentary, the body would offer specific illustrations of the flawed passages in Katz's commentary; these illustrations would support the analytical claims that you are making about the work. The focus, then, is objective analysis, not subjective response.
The conclusion may restate the author's thesis, but the main purpose of the conclusion should be to emphasize your assessment of the writer's work.
Sample Critical Analysis — Integrated Model
One technique for integrating a summary and an evaluation is simply to merge the two separate sections (like the examples above) into a single introductory paragraph. Another technique is to synthesize the summary and evaluative comments, as in the following sample introduction:
In 1936, J.R.R. Tolkien wrote “Beowulf: The Monsters and the Critics” for an audience of literary scholars of his own day. Thus, the essay can pose some difficulties for modern readers, who may not be familiar with literary history or the specific critics to whom Tolkien refers. In addition, Tolkien's diction is formal and quite dense. Nevertheless, he offers a persuasive and masterful defense of Beowulf, one of England's most beloved works. [Our thesis] Tolkien argues that Beowulf scholars are wrong to mine the poem solely for historic evidence about the Anglo-Saxon period, rather than reading it as a great and inspiring work of literature. [Tolkien's thesis] Although he agrees that its historical value is high, he shows that Beowulf is so powerful as a poem that its literary qualities far outshine its historical value.
Teresa Sweeney & Fran Hooker Webster University Writing Center, 2005
Organizing Your Analysis
This resource covers how to write a rhetorical analysis essay of primarily visual texts with a focus on demonstrating the author’s understanding of the rhetorical situation and design principles.
Contributors:Mark Pepper, Allen Brizee, Elizabeth Angeli
Last Edited: 2015-08-30 05:01:04
There is no one perfect way to organize a rhetorical analysis essay. In fact, writers should always be a bit leery of plug-in formulas that offer a perfect essay format. Remember, organization itself is not the enemy, only organization without considering the specific demands of your particular writing task. That said, here are some general tips for plotting out the overall form of your essay.
Like any rhetorical analysis essay, an essay analyzing a visual document should quickly set the stage for what you’re doing. Try to cover the following concerns in the initial paragraphs:
- Make sure to let the reader know you’re performing a rhetorical analysis. Otherwise, they may expect you to take positions or make an evaluative argument that may not be coming.
- Clearly state what the document under consideration is and possibly give some pertinent background information about its history or development. The intro can be a good place for a quick, narrative summary of the document. The key word here is “quick, for you may be dealing with something large (for example, an entire episode of a cartoon like the Simpsons). Save more in-depth descriptions for your body paragraph analysis.
- If you’re dealing with a smaller document (like a photograph or an advertisement), and copyright allows, the introduction or first page is a good place to integrate it into your page.
- Give a basic run down of the rhetorical situation surrounding the document: the author, the audience, the purpose, the context, etc.
Thesis Statements and Focus
Many authors struggle with thesis statements or controlling ideas in regards to rhetorical analysis essays. There may be a temptation to think that merely announcing the text as a rhetorical analysis is purpose enough. However, especially depending on your essay’s length, your reader may need a more direct and clear statement of your intentions. Below are a few examples.
1. Clearly narrow the focus of what your essay will cover. Ask yourself if one or two design aspects of the document is interesting and complex enough to warrant a full analytical treatment.
The website for Amazon.com provides an excellent example of alignment and proximity to assist its visitors in navigating a potentially large and confusing amount of information.
2. Since visual documents often seek to move people towards a certain action (buying a product, attending an event, expressing a sentiment), an essay may analyze the rhetorical techniques used to accomplish this purpose. The thesis statement should reflect this goal.
The call-out flyer for the Purdue Rowing Team uses a mixture of dynamic imagery and tantalizing promises to create interest in potential, new members.
3. Rhetorical analysis can also easily lead to making original arguments. Performing the analysis may lead you to an argument; or vice versa, you may start with an argument and search for proof that supports it.
A close analysis of the female body images in the July 2007 issue of Cosmopolitan magazine reveals contradictions between the articles’ calls for self-esteem and the advertisements’ unrealistic, beauty demands.
These are merely suggestions. The best measure for what your focus and thesis statement should be the document itself and the demands of your writing situation. Remember that the main thrust of your thesis statement should be on how the document creates meaning and accomplishes its purposes. The OWl has additional information on writing thesis statements.
Analysis Order (Body Paragraphs)
Depending on the genre and size of the document under analysis, there are a number of logical ways to organize your body paragraphs. Below are a few possible options. Which ever you choose, the goal of your body paragraphs is to present parts of the document, give an extended analysis of how that part functions, and suggest how the part ties into a larger point (your thesis statement or goal).
This is the most straight-forward approach, but it can also be effective if done for a reason (as opposed to not being able to think of another way). For example, if you are analyzing a photo essay on the web or in a booklet, a chronological treatment allows you to present your insights in the same order that a viewer of the document experiences those images. It is likely that the images have been put in that order and juxtaposed for a reason, so this line of analysis can be easily integrated into the essay.
Be careful using chronological ordering when dealing with a document that contains a narrative (i.e. a television show or music video). Focusing on the chronological could easily lead you to plot summary which is not the point of a rhetorical analysis.
A spatial ordering covers the parts of a document in the order the eye is likely to scan them. This is different than chronological order, for that is dictated by pages or screens where spatial order concerns order amongst a single page or plane. There are no unwavering guidelines for this, but you can use the following general guidelines.
- Left to right and top to down is still the normal reading and scanning pattern for English-speaking countries.
- The eye will naturally look for centers. This may be the technical center of the page or the center of the largest item on the page.
- Lines are often used to provide directions and paths for the eye to follow.
- Research has shown that on web pages, the eye tends to linger in the top left quadrant before moving left to right. Only after spending a considerable amount of time on the top, visible portion of the page will they then scroll down.
The classic, rhetorical appeals are logos, pathos, and ethos. These concepts roughly correspond to the logic, emotion, and character of the document’s attempt to persuade. You can find more information on these concepts elsewhere on the OWL. Once you understand these devices, you could potentially order your essay by analyzing the document’s use of logos, ethos, and pathos in different sections.
The conclusion of a rhetorical analysis essay may not operate too differently from the conclusion of any other kind of essay. Still, many writers struggle with what a conclusion should or should not do. You can find tips elsewhere on the OWL on writing conclusions. In short, however, you should restate your main ideas and explain why they are important; restate your thesis; and outline further research or work you believe should be completed to further your efforts.